In addition, the grave is entangled with biographical time, the individual life course of Of living community members echo those inscribed on the headstones. In graveyards, this happens, for example, by the way the names It may treat the past as a closed chapter, this historicity may also actively recall and medi-Īte the past in the present. In the castle’s architecture, furnishings and present inhabitants (1996: 246). (as in the oeuvre of Sir Walter Scott) be animated by emphasizing how the past lives on Some literary works, bears ‘a somewhat antiquated, museum-like character,’ but can also I argue that it participates in what Bakhtin calls ‘the historicity of castle time,’ which, in Of what type of time and space is the grave as chronotope constituted? In temporal terms,
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